One direction across both
Color, type, pacing, framing, and tone are agreed once and applied to motion and stills alike, so a video still and a photograph sit together without clashing.
Motion and stills, planned together. BEMS produces the video graphics and photography your business publishes every week — animated social content, explainer graphics, campaign assets, brand and product photography, and aerial imagery — all built from one creative direction so everything you put out looks like it came from the same company.
The animation came from one freelancer, the photos from another, the campaign assets from whoever was free that week. Each piece is fine on its own, and together they look like four different companies. BEMS treats motion and photography as one system — same creative direction, same standards, planned so a single production feeds every channel that needs it.
Color, type, pacing, framing, and tone are agreed once and applied to motion and stills alike, so a video still and a photograph sit together without clashing.
Every asset starts with the message, the audience, the platform, and the action the viewer should take next. Motion and styling serve that, never the reverse.
Dimensions, duration, crops, captions, sound expectations, and safe zones are planned around where the asset actually runs, not fixed afterward.
A planned shoot or build produces the vertical, square, and wide versions your channels need at the same time, instead of a re-shoot every quarter.
This collection covers everything BEMS produces in motion and stills. Start with the service that matches what you need next — or tell us the campaign and we will recommend the combination.
Motion-led content for campaigns, explainer graphics, video support assets, titles and overlays, presentations, and data-driven visual communication.
Explore Video & Motion GraphicsAnimated posts, stories, reels, product promotions, launch assets, and repeatable motion templates built for the way each social platform actually displays them.
Explore Animated Social AssetsTeam portraits, product photography, property and real estate images, location and facility coverage, and event photography — shot to one standard and delivered as an organized library.
Explore PhotographyAerial stills and video for property marketing, construction progress documentation, facility and site overviews, and event coverage — planned and cleared before the flight date.
Explore Drone PhotographySelect an area to see how BEMS shapes the creative direction, formats, and production scope around it. Most campaigns pull from two or three of these at once.
Animated graphics that explain, introduce, or emphasize — built from your existing brand elements so the motion reinforces the brand instead of competing with it.
Short-form motion made for how people actually watch — vertical, sound-off, and readable in the first second. Planned as a repeatable set rather than a one-off post.
Photography of your actual team, products, property, and workplace — captured to one visual standard and delivered as a named, organized library your marketing team can work from.
Aerial stills and video that communicate scale, layout, and progress. Airspace, permissions, and site access are confirmed before the flight date rather than on the day.
When a launch needs photography, motion, and social assets that match, BEMS plans them as one production. Shoot once, animate from the same direction, and leave with a full campaign set instead of pieces that need reconciling later.
A production scope should reflect the channels, audiences, and teams that will actually use the output. BEMS plans motion and photography around the website, social, campaigns, sales materials, and the everyday content your team ships.
Header imagery, background loops, service and team pages, and the still and motion assets your site layouts actually call for — supplied in the right crops the first time.
Vertical, square, and wide versions of the same production so one shoot or build supplies posts, stories, reels, and paid placements without going back for more.
A coordinated visual direction across launches, offers, events, and promotional moments — where the photography and the motion clearly belong to the same campaign.
Credible imagery and clear explainer motion for presentations, proposals, capability documents, and the conversations that move deals forward.
A repeatable standard and a production rhythm, so new products, new hires, new sites, and new campaigns never leave your team reaching for stock footage or stock photos again.
Whether the output is a shoot day, an animation build, or both, the process is the same. BEMS reduces subjective back-and-forth by agreeing the communication problem, the creative direction, and the approval path before production starts.
We learn the audience, objective, brand context, channels, required formats, source materials, locations or participants, decision-makers, and timeline.
We define the creative direction, shot list or storyboard, visual references, asset plan, and a focused feedback process — so everyone knows what the production is meant to produce.
We shoot, animate, or both, capturing the alternate crops, orientations, and cutdowns your channels will need from the same production rather than a second one.
Final assets are edited to the agreed standard, exported in the required sizes and formats, and delivered as an organized, clearly named set ready to publish.
The exact package depends on the approved scope. BEMS prepares stills and motion around how your marketing team, editors, developers, printers, and partners will actually use them — so the library stays useful long after delivery.
Your publishing volume, range of channels, internal capacity, and campaign calendar determine the right engagement. BEMS supports both single productions and businesses that need a steady supply of new content.
Best for a defined need: a campaign asset set, a launch, a shoot day, an explainer, a product line, or the content for a specific page or channel.
Best for businesses and marketing teams publishing continuously who want a production partner that already knows their brand, people, locations, and visual standard.
Practical answers about combining motion and photography, scope, source materials, formats, revisions, ongoing support, and pricing.
Four services sit under this category: Video & Motion Graphics, Video & Animated Social Assets, Photography, and Drone Photography.
Between them they cover motion graphics, animated social content, explainer graphics, video support assets, campaign assets, brand and product photography, property and location imagery, event coverage, and aerial stills and video.
Yes, and it is usually the better value. Planning them as one production means a single creative direction, a shared shoot day where practical, and assets that match across the campaign.
It also avoids the common outcome of photography and animation arriving from different sources months apart and never quite fitting together.
Start with whatever is blocking you. If the website has no usable imagery, start with photography. If a launch needs social assets, start with animated social content. If you need to explain something complicated, start with motion graphics.
If you are not sure, describe the campaign in the brief and BEMS will recommend the combination rather than selling you all four.
Yes. Existing brand guidelines, logo files, color standards, typography, previous photography, raw footage, illustrations, scripts, and past campaign assets all help inform the direction and can often be reused.
BEMS can also identify what needs to be edited, re-shot, animated, adapted, or created from scratch.
The proposal defines the review stages, decision-makers, included revision rounds, and what counts as a change in scope.
Consolidated feedback tied to the approved objective keeps a project moving. Scattered feedback from several people at different times is the most common reason a production slips.
Final formats depend on where the work will be published. A delivery package may include web-ready exports, high-resolution stills, print-production files, platform-specific video cuts, vertical and square variants, and editable source files when those are included in the approved scope.
Yes. Businesses and marketing teams that publish continuously can work with BEMS on a recurring rhythm rather than commissioning each piece separately.
Ongoing support keeps the visual standard consistent as new products, people, locations, and campaigns are added, and keeps the asset library current.
Pricing depends on the number and complexity of deliverables, concept development, whether the work involves a shoot, an animation build, or both, locations and travel, source-material readiness, format and cutdown variations, revisions, timeline, and whether the engagement is project-based or ongoing.
Complete the brief and BEMS will recommend a clear scope.
Tell BEMS what needs to be shot or animated, where it will be published, what the audience should understand, and when you need it. We can shape a practical scope across motion, photography, or both.